I think women should support each other's work, encourage each other's work, help develop each other's voices and I think, ultimately, when we can stop having the conversation about 'women filmmakers', and just talk about 'filmmakers', then we'll know we've really gotten somewhere.

I guess what I learned about myself is I'm a bit of a socialist; I want everyone on the set to get equal treatment and credit.

I think women should support each other's work, encourage each other's work, help develop each other's voices and I think, ultimately, when we can stop having the conversation about 'women filmmakers', and just talk about 'filmmakers', then we'll know we've really gotten somewhere.

I'm always amazed that if you pick up a script of something you played years ago, it all comes back so quickly. Even in your body, you remember your blocking and how it felt.

People in theatre work harder than anyone in the world - as far as I'm concerned - as far as sheer output of energy and the rigor and excellence that they maintain doing something every day, or twice a day.

The part that I felt most comfortable with going in was just working with actors and trying to make them feel comfortable and safe so they could find the performance. That part felt organic to me.

It's exciting to take control of your future instead of waiting for the phone to ring.