When you see all of the pandas in this movie [Kung Fu Panda 3], they are rolling because that is exactly what they do. Not only were we able to watch the pandas play but we had free range to walk around and get a feel for the architecture and get a sense of where they lived ,so there's a lot of firsthand exploration.
Jennifer Yuh NelsonTalking to actors is the same as talking to any other artists; it's getting into the moment for them, and making sure they can lose themselves in the performance!
Jennifer Yuh NelsonEvery movie goes through that U-shape where you start with 'Oh that's a great idea. I love it.' Everything's possible and then you face 'Oh, we can't do that, and that's impossible, and that's a bad choice.' You go the practicality of it. And then you come up to 'Great.' But that middle part is when you don't have results yet.
Jennifer Yuh NelsonI'm not aggressive by nature and it was tough for me to make the transition to directing.
Jennifer Yuh NelsonWe go for our own reality. I remember some of our guys saying it is way harder to make stylized art directed explosions of jade rather than a regular explosion of shrapnel.
Jennifer Yuh NelsonWe want to be proud of our work and make sure it's worth the talent of the animators, who spent four years of their love, sweat and tears on it.
Jennifer Yuh NelsonWe have those new environments [during Kung Fu Panda 3] that give a scale to the movie, that are the spirit realm and the panda village. The spirit realm, having no gravity, having this massive space, allowed us to do huge action shots. All that we just couldn't do before. We just couldn't get the scale, we'd have to cheat them. This time we found ourselves more free.
Jennifer Yuh Nelson