The beauty of the collage technique is that you're using sounds that have never met and were never supposed to meet. You introduce them to each other, at first they're a bit shy, clumsy, staring at their shoes. But you can sense there's something there. So you cut and paste a little bit and by the end of the song you can spot them in the corner, holding hands.

I don't have a girlfriend. No, I don't. I haven't had a relationship in years, actually. But yeah, I'm still looking. It's kind of nice to be looking for a home at the same time.

I love a lot of old disco because it's aerodynamic, smooth, and very seductive.

Sometimes it's not like I write very specific, it's more like I add an atmosphere almost to something that might have been quite awkward in my mind from the beginning. Something has happened and I want to force myself to think of it in a more positive way. And then I force myself to write something that convinces me that this is actually something pretty good or something that I learned something valuable from.

I'm not too fond of the typical Australian activities or culture. I'm not into surfing.

I was trying to actively get away from music, I guess. But I recorded a whole bunch of instrumental piano songs.

I started playing bass in my friend's band for some reason. It was just something I did because, well, he asked me if I wanted to play bass and he played me this song - Nirvana's version of "Molly's Lips", the Vaselines song - and he said, "You can do this! This is not hard!" and it's like a two-note song. I learned that and then I thought I was a genius.