The provocation with Holmes is the fact that he's described by Doyle as a man without a heart - all brain... and that's very difficult to play, or even indicate.

The most important thing when you're working with greatness is to learn from it, not challenge it.

I've done 33 Sherlock Holmes stories and bits of them are all right. But the definitive Sherlock Holmes is really in everyone's head. No actor can fit into that category because every reader has his own ideal.

I mean, money people are usually quite brisk, but mine aren't, and they keep on giving me spaces so that I've been able to go on and do plays and films.

Don't be too brave. Bravery is a fine thing on some occasions, but sometimes it can be quite a dangerous thing. The stiff upper lip is not always the best.

I meditate and do yoga. I sit cross-legged and try not to levitate too much.

Holmes has become the dark side of the moon for me. He is moody and solitary and underneath I am really sociable and gregarious. It has all got too dangerous.