You think, you don't just speak. The lines come off the thoughts.

A trip to the mainland was a big event and happened maybe once a year, although now you can get across in a speed boat in seven minutes but then it was a long way away.

I find what I call the [bleep] side of the industry very difficult. You won't see me at other peoples' premiers. I mean, I go to my own premiers because I have to help my film, but I don't enjoy that whole side of it. I don't enjoy celebrityhood. I love getting a seat in a restaurant. I love it when people say hi when I don't know them. I mean, that's fine, but apart from that, I like the elements of celebrityhood which make living in the world like living in your own village.

I've never been passionate about acting, and I find more and more that I work to live the life I want to live. [...] There's something about the detachment I have, the feeling of the lack of importance about what I do, that is healthy.

And trust, yes, which is important, but that is what I aim towards. Now that is difficult for some people, and with that desire to get things as good as possible, I would say that I’m probably regarded as quite prickly to work with.

The great thing about acting is, because you're constantly playing other characters and exploring yourself because you have to find those other characters in yourself, you sort of broaden as a person over your life because you've been other people. So you can empathize with many different sorts of people. It's great in that way and I hope, therefore, as you get older as an actor, you not only get more interesting because you lived more, but you get a bit wiser as a person.

The work I prefer to do are the smaller budget pictures, television can be great but it ties you up for quite a long time.