I hate the word "method acting." It's just so silly. You hear people going, "Yeah I'm a method actor." I'm like, "So what happens if you're playing a period film or something? You're in the Second World War. And what happens when your mom calls you on your phone? Do you go, 'Oh! What is this strange talking brick device?'" No. It's stupid. But you do everything you can to get in that mindset.

For work, I have to be living in cities, I really cherish the time when I get to be out in the countryside.

I had a lot of time before I actually got my break so to speak. I was building websites for other actors. I worked in a grocery store back in the little village where I grew up but I found it mind-numbingly boring.

Each year we go to the Cannes film festival and I tend to have all my friends pile in the back of my car and we'll drive from London. The poor production company think they're only putting me up and suddenly they've got eight people sleeping on my hotel room floor.

I think I got into acting because I kind of had not much else to do! I guess I was kind of looking for something challenging. I heard about the London Theater scene and it was very different from the upbringing that I had and it felt like a challenge. And the whole sort of London Theater schools, I was told that 6,000 apply and there are like 30 accepted to each one. I was like, "Yeah. Let's see if we can do that!"

On the whole, British actors star in theater, and I think there's something quite grounding about that.

I spend a lot of time in L.A., and I think it would probably be easier if I lived there work wise, but there's no city like London, there is so much going on. I can jump on the Tube and be anywhere in 20 minutes, and all my friends and family are here and I'm not prepared to give that up.