On the whole, British actors star in theater, and I think there's something quite grounding about that.

I'm an expert at killing time on planes now. I do a lot of reading. My secret sort of nerdy side is I'm quite into history so I read a lot of history books. Now I write for a few things and I've had a few history things published, which is cool. I indulge my nerdy side and it's kind of as far away as you can get from the acting world so that's nice as well.

'Great Expectations' is one of the greatest stories.

I like being outdoors a lot, and I come from a small village that's fairly remote.

I hate the word "method acting." It's just so silly. You hear people going, "Yeah I'm a method actor." I'm like, "So what happens if you're playing a period film or something? You're in the Second World War. And what happens when your mom calls you on your phone? Do you go, 'Oh! What is this strange talking brick device?'" No. It's stupid. But you do everything you can to get in that mindset.

The Railway Man was a particularly intense and immersive experience. I definitely got carried away. I lost about 35 pounds. I really was incredibly skinny and also quite unwell while we were filming. It wasn't very healthy. I don't recommend it. But then also doing the torture scenes, the water boarding stuff, there wasn't really any other way just to do it really.

With a horror movie most of the actual jumps and scares are made in the edit. It's often not very scary on set and then you watch the film and suddenly it's very scary because the way the jump scares fit together building up the suspense in the audience because it's making them jump when they're least expecting it.