I'm blessed to have cool roles in these big movies.

We kept moving forward, kept pretty particular about certain things. Don Handfield is really great with story, so we kept working on it from that angle and developed a lot of IP over the years, which we became very proud of.

I lived by the candlelight for two years because I couldn't afford power. It was nice and romantic at the time, but if you can't afford power you're pretty broke. You endure it.

I think cinema should provoke thoughts, sure, but using it as I soapbox I think is the wrong place. I never want to be part of something like that, where there's an agenda there that's not about telling a story, where its someone getting on a soapbox and preaching their own beliefs onto somebody.

They don't allow you to go any further unless you can do this bomb suit training, because it puts such a mental strain on your spirit. It dumbs you down about 25 to 30 IQ points. You start to hallucinate in the heat inside the suit after 20-30 minutes. So you try not to stay in it too dang long. So the preparation for that - it's either you have it, or you do not.

It takes a lot out of you to do a stage play, but I'd love to do that. I'd love to continue to do challenging material, whatever shape or form that comes in.

Marvel's really smart about continuing the storylines of all the different movies from Ultron into this one and blah to blah to blah - it's pretty seamless. So where we left off in Ultron is definitely picked up in Cap 3 here, pretty smoothly I think.