I only scream and scratch when something's only 'really good' or 'good', I want to be great, or let's go home.

We had tried to get a couple books that were written about Ray Kroc, and one of the books, we called the publisher. The publisher actually said, "Call McDonald."

I only scream and scratch when something's only 'really good' or 'good', I want to be great, or let's go home.

We want to make people feel something after they buy that ticket.

You have a great road map when you play somebody that exists. That's the amazing thing. But then you have great limitations from that road map. It's hard to deviate from it creatively as an actor. It's like, "Oh wait, he'd never do that."

I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.

Aren't we taught as kids that we're beautiful because we feel beautiful and not because someone else says so? You don't look like the model on the magazine cover but you can still be beautiful, so I can't say I really want to change anything. I'm happy with the flaws I have.