I think cinema should provoke thoughts, sure, but using it as I soapbox I think is the wrong place.

Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.

Yeah there's always something different. He's still limited to what he can do - ya know, no super powers, just a high skill set. But they have a cool thing - this time I learn very quickly... um, bow. 'Cause in the first Avengers he had that short bow that cracks open, and then I can crack and close with a staff. So now I'm a master with a staff apparently. I have to learn that today.

I love my small town, and I love going back there and supporting the community. But I could not have stayed there. No way.

I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.

Barton is a pretty brass tacks kind of guy. Kinda get the job done so I can go home. So I don't think it's very difficult for him to decide.

We want to make people feel something after they buy that ticket.