We kept moving forward, kept pretty particular about certain things. Don Handfield is really great with story, so we kept working on it from that angle and developed a lot of IP over the years, which we became very proud of.

And I don't care if you're talking about things that are true, you're still talking about my personal life. How about I go peek in your window, take what underwear you wore last night, whose husband you were fucking, and shove that in the megaphone throughout your neighborhood? How does that feel? It's none of your goddamn business.

I guess I just have one of those resting faces that makes me look like I want to beat you up.

You have to wait for a big star to come in and generate interest on a project, and now that has become me, which is an amazing blessing.

Accents can be a great tool to tell a story - but if you do it wrong, it pulls you right out of the movie.

Marvel's really smart about continuing the storylines of all the different movies from Ultron into this one and blah to blah to blah - it's pretty seamless. So where we left off in Ultron is definitely picked up in Cap 3 here, pretty smoothly I think.

Building a house is like producing a movie. There's no right way to do it but a lot of wrong ways. You have to be flexible and creative. You have to move fast, be prepared - or it quickly becomes costly.