Other people can think ahead all they want. I just focus on the task at hand and try to move on.

People love to yammer on about things that aren't real.

Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.

It takes a lot out of you to do a stage play, but I'd love to do that. I'd love to continue to do challenging material, whatever shape or form that comes in.

I have a hard time saying "no" if it's right. I don't say "no" to say "no." I said "no" when I didn't have a pot to piss in. I still said "no" to big money jobs because they didn't make creative sense to me.

Yeah there's always something different. He's still limited to what he can do - ya know, no super powers, just a high skill set. But they have a cool thing - this time I learn very quickly... um, bow. 'Cause in the first Avengers he had that short bow that cracks open, and then I can crack and close with a staff. So now I'm a master with a staff apparently. I have to learn that today.

Our friendship [ with Don Handfield] has remained all that time, and I'm godfather to his kids, but then when The Hurt Locker came around, I just knew there was a lot of opportunity that was coming in, and just couldn't really manifest any opportunities because things were busy.