It takes a lot out of you to do a stage play, but I'd love to do that. I'd love to continue to do challenging material, whatever shape or form that comes in.

So I take a little sleeping pill, pop it and realize nothing's happening - but something else was happening.

So there's that, and then there's always things you can do with the tips. Except for this, what they call the arrow tips, they'll all be non-lethal cause again we're not trying kill anybody, just sort of take control of the situation. They'll probably throw in a lot of gimmicks with the tips and trick arrows, and things like that. And ya the new, cool.

What matters is how I feel about it, cause if I feel good or bad about it, then the audience will feel good or bad about it and that's just sorta the job.

Any script, even like The Founder, if it's something that I imagine myself playing this character or that character - any of the characters, basically - how do we flesh these characters out to be good enough to have amazing actors that come in that make it really difficult for them to say no? Even though I'm not right for any of those parts, that's just kind of how we go about it.

I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.

I'll always build houses.