I used to hang out at karaoke bars all the time. It was the most fun you could have when you had no money.

Don [ Handfield] was actually one of the first guys I met in town back in '94. He was an actor and a writer and all this stuff.

I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.

I had to do a lot of work and allow myself to go places that were a little scary. You know when you play a guy like that it allows you the freedom to explore really weird parts about you. And it's OK. In order to really get it, I've got to allow myself to go there.

I light candles because I want to have candles lit, not because I need to see!

If you dissect my career as an actor, and you can pull out more than enough of those type of movies, from The Hurt Locker and The Town and so on and so forth, and that's kind of where our wheelhouse is. We love it.

There is nothing new, from Greek mythology to Shakespeare to every romcom ever made, we're just reimagining the same 12 story plots over and over again - so what makes people keep watching and listening? It's all about the character.