Nowadays, individual style isn't just much more understood, but much more appreciated; that there's not one forced look that we're all supposed to adhere to, and everyone can find their place that way.

Globally, proving myself working well with Adidas, showing my work could be globally distributed and loved and appreciated and still be challenging. Maybe I'm one of the first people on a larger scale to make more challenging and more unique items.

Nowadays, individual style isn't just much more understood, but much more appreciated; that there's not one forced look that we're all supposed to adhere to, and everyone can find their place that way.

I have to love the DNA of the brand fundamentally. I need to be able to fuse my personality with theirs. That's what I've done with Adidas, Swatch, and in a different way with Moschino. I really have to feel fused with it.

I think as humans we're nostalgic creatures and that's what we do. We go back to things that have a semblance of something comforting, or enough time passes that it seems cool again, or maybe it's something that some people didn't even experience.

I think the way the world has evolved, it's maybe caught up to me. It makes more sense and it makes it click on a larger scale.

The fact that people look at pictures so tiny on Instagram - people ask me about it popping on Instagram, but I didn't alter myself to be that. I didn't change for the screens, I've just been doing me.