Because I was in Atlanta, people didn't realize I'm one of the real forefathers in the game.

People always ask me how long somebody can last as long as I've been lasting and continue to keep doing it, so I figured that people didn't really know how to do that.

I wanted to feel like an artist for once in my life. I wanted to use other producers for respect, to let them know that I listen to other people's music and that I'm just not out here on my own page.

My father was a promoter of Fresh Fest, and they needed an opening act. He got me a slot as a dancer. We tried it out the first time in Atlanta and the crowd went crazy. I was the opening clown.

When I came out rapping on my record, a lot of people said, Oh, you just want to be like Puff.

I go to clubs and if I notice the DJs are playing the records faster, then I'll push the beats a little on the next record I make. A lot of people don't know how to watch out for things like that.

The thing I'm going through is probably like the same thing that Little Richard and all these other artists go through, that I hear about them, saying, 'Oh damn, you ain't gonna give me nothing till I die,' ... I feel like I'm one of those type of great people that just going to have to wait till it's all over with for people to really sit around and talk about it.