What we need is something, a definition of a human, starting from the ground up, so that the suitable moral structure that goes around it makes sense. The context has to come from the human first, rather than bits and pieces of fragments of old religion and all of the old moral superstructure, whatever it used to be.

We're not uncomfortable with it, and we've already been through enough of the music business where I'm not really worried that commercial success is going to in some way - we're already past saving, you know what I mean? It's too late for us.

One of the things that's attractive about cyberspace is that it can be construed as no threat. If you see it through the video game keyhole, the amusement keyhole, the entertainment keyhole, it is no threat. If you see it through the LSD keyhole, the consciousness-expanding keyhole, it's like electronic drugs: it is a threat.

In the last 100 years since the invention of sound reproduction, music has really taken off and it is much more a common language because of records and transportation.

I'm goin' where the wind don't blow so strange, maybe off on some high cold mountain chain.

To me, that's the key thing, the pursuit of happiness. That's the basic, ultimate freedom.

In reality everybody has got musical thoughts. If you are able to overcome the part of it which is muscle training, which is what most musical playing actually is, performance actually is, is muscle training, and you are able to convert your ideas directly into music, you're a musician, too.