... We have quite a large area, and that makes it more fun for us - certainly more satisfying, because it doesn't restrict us to one particular idea or one particular style. The result, I think, is pretty interesting ... we don't expect to make a fortune at it or ever be popular or famous or worshipped or hit The Ed Sullivan Show or the circuses or the big top. As long as we can play, we'll play, regardless of what it's for, who it's for or anything. It's fun for us - that's the important thing.

The information is there, you may not perceive it, but it does affect the lower orders. There are places where it just peaks out. It is like the color spectrum, it just simply goes beyond where you can perceive it any more but it is still going on. If you decide that the invisible continuation of the color spectrum is important to your sense of what reality is about, then you would want to extend it. Extend it as far as you could, as an aesthetic.

Some things may work, but they definitely won't work every time. Some things may work at various times.

And when you don't have to talk to the person next to you, that's real clean. Takes a certain thing not to try to keep anything up, not to have to entertain one another.

Each person makes their own decision about what it is that is happening, whether they like it or don't like it, whether they want to lend their energy to it or not or what, you know.

Constantly choosing the lesser of two evils is still choosing evil.

I think that the revolution in music is over, and what's left is a mop-up action. It's a matter of the news getting out to everybody else. I think that the important changes have already happened, changes in consciousness. It's mostly a matter of everything else catching up to that. Everything is traditionally slow - much faster than it ever has been on earth but still far, far too slow.