If you think of music as a language, the space part is where you throw out all the syntax.

The performances in the future would be like an audience wired to somebody who was sort of instigating, and then moment-to-moment creation would be transmuted individually.

I think part of what has to happen, somewhere, pretty soon, is that a human template has to come up. We have to start with, OK let's throw out all this other stuff, everything we have thought about it before, throw out all our models, and start with a human. What is a human?

You reach into cyberspace and you grab some cyber stuff, build it up, and the computer will give you a 360 of it.

At some point or another, our boundaries run into the boundaries of the exterior reality. Like we run into laws and other things that we don't own or don't have control over.

... Grateful Dead - that's it !! ... nobody in the band liked it, (the name) I didn't like it, either, but it got around that that was one of the candidates for our new name, and everyone else said, 'Yeah, that's great.' It turned out to be tremendously lucky. It's just repellent enough to filter curious onlookers and just quirky enough that parents don't like it.

I'm not trying to clock scores in this lifetime, it's just that things are better now than they were like five, ten years ago. Music has gotten a lot better. There's a lot of people who are committed to - soulfully.