I equate Deadheads to people that like black licorice. There aren't many people that like black licorice, but the ones that do, REALLY REALLY like it! Or buttermilk, or whatever.

Most musicians, regardless of what culture they come from, can get together and agree on some stuff about music. As there is going to be a common ground.

Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.

Nobody stopped thinking about those psychedelic experiences. Once you've been to some of those places, you think, 'How can I get back there again but make it a little easier on myself?'

Things come up from the outside, the outside world says, okay, you have do this, you have to go here and here and here, and these are your options. You can be here or you can be here. You can do this, or you can do this. You can go here, or you can go there. So each one of those things becomes a place of decision, and the way we make decisions is that we all get together and if somebody doesn't feel right about it or it doesn't seem to sit right, usually we'll go with the no vote. If somebody's not comfortable with it, we'll figure it's not going to be worth doing.

Don't tell me this town 'aint got no heart

The satisfaction of producing a work of art is the thing of getting off on it on some level.