Done time in the lock-up, done time on the streets. Done time on the upswing, and time in defeat. I know what I'm askin'. I know it's a lot. Just to say that I love you. Believe it or not.

You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.

One of the things that's attractive about cyberspace is that it can be construed as no threat. If you see it through the video game keyhole, the amusement keyhole, the entertainment keyhole, it is no threat. If you see it through the LSD keyhole, the consciousness-expanding keyhole, it's like electronic drugs: it is a threat.

We are not completely autonomous.

In this universe the top end is light and the bottom end is real hard stuff.

Music is more objective, I think, than a lot of art is, but a surprising amount of it is cultural.

There are any number of things that survive great, and don't need any kind of consciousness, so why bother going through all the trouble of evolving monkeys that don't run very well or climb very fast or have particularly sharp teeth, but have big heads.