The performances in the future would be like an audience wired to somebody who was sort of instigating, and then moment-to-moment creation would be transmuted individually.

And as far as I'm concerned, it's like I say, drugs are not the problem. Other stuff is the problem.

We're not uncomfortable with it, and we've already been through enough of the music business where I'm not really worried that commercial success is going to in some way - we're already past saving, you know what I mean? It's too late for us.

Every silver lining has a touch of grey.

Nobody stopped thinking about those psychedelic experiences. Once you've been to some of those places, you think, 'How can I get back there again but make it a little easier on myself?'

You can't make rules regarding the moral behavior of something unless you know what the hell it is, and what it's capacities are. What it can do, what it can't do.

One of the things that's attractive about cyberspace is that it can be construed as no threat. If you see it through the video game keyhole, the amusement keyhole, the entertainment keyhole, it is no threat. If you see it through the LSD keyhole, the consciousness-expanding keyhole, it's like electronic drugs: it is a threat.