In 1998, Artnet was the site that convinced me that if my writing didn't exist online, it didn't exist at all. It showed me criticism's future.

Biennial culture is already almost irrelevant, because so many more people are providing so many better opportunities for artists to exhibit their work.

In the late nineties, Katy Grannan began making haunting photographs of people who had extraordinary inner yens to be seen by strangers.

Ofili is still a champion. It would be a huge mistake to think otherwise.

Art usually only makes the news in America when the subject is money.

Photography is the easiest thing to make, and one of the hardest things to make well.

I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'