The last time money left the art world, intrepid types maxed out their credit cards and opened galleries, and a few of them have become the best in the world.
Jerry SaltzThe very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.
Jerry SaltzBiennial culture is already almost irrelevant, because so many more people are providing so many better opportunities for artists to exhibit their work.
Jerry Saltz