The kids who leave their favorite authors behind do not in fact leave us utterly abandoned, but in due time drive children of their own to the bookstore and the post office.

of all the unusual features of Stargirl, this struck me as the most remarkable. Bad things did not stick to her. Correction: her bad things did not stick to her. If we were hurt, if we were unhappy or otherwise victimized by life, she seemed to know about it, and to care, as soon as we did. But bad things falling on her -- unkind words, nasty stares, foot blisters -- she seemed unaware of. I never saw her look in a mirror, never heard her complain. All of her feelings, all of her attentions flowed outward. She had no ego.

The golden rule of writing is to write what you care about. If you care about your topic, you'll do your best writing, and then you stand the best chance of really touching a reader in some way.

I grabbed her, right there outside the lunch room in the swarming mob. I didn't care if others were watching. In fact, i hoped they were. I grabbed her and squeezed her. I had never been so happy and so proud in my life.

He was the Grand Marshall of our Everyday Parade

Happy". I had not heard that word since Mr. Milgrom spoke it at the last Hanukkah. I asked him the question that had been on my mind since then. "Tata, what is happy?" He looked at me and at the ceiling and back to me. "Did you ever taste an orange?" he said.

It's a shame publishers send rejection slips. Writers should get something more substantial than a slip that amounts to a pile of confetti. Publishers should send something heavier. Editors should send out rejection bricks, so at the end of a lot of years, you would have something to show besides a wheelbarrow of rejection slips. Instead you could have enough bricks to build a house.