Each night I lie down in a graveyard of memories. Moonlight spins a shroud about me.

Ironic," Betty Lou said at last. "The cereus insists on sunlight---that's why it must be at the end of the yard. And yet it saves its flowers for the moon. The sun never sees what it fathers." It takes from the day," I said, "gives to the night.

I faced the gaudy sunflower on her canvas bag -- it looked hand-painted and at last my eyes fell into hers. I said, 'Thanks for the card.' Her smile put the sunflower to shame. She walked off.

The trouble with miracles is, they don't last long.

In that moonlit hour, I acquired a sense of the otherness of things. I liked the feeling the moonlight gave me, as if it wasn't the opposite of day, but its underside, its private side, when the fabulous purred on my snow-white sheet like some dark cat come in from the desert.

It was the day of the worms. That first almost-warm, after-the-rainy-night day in April, when you bolt from your house to find yourself in a world of worms. They were as numerous here in the East End as they had been in the West. The sidewalks, the streets. The very places where they didn't belong. Forlorn, marooned on concrete and asphalt, no place to burrow, April's orphans.

if you learn to hate one or two persons... you'll soon hate millions of people.