I think there's a phenomenon of people who want to be around something that seems "dangerous." It makes them feel more real.

The Adderall Diaries is phenomenal. With jittery finesse and a reformed tweaker's eye for detail, Stephen Elliott captures the terrifying, hilarious, heart-strangling reality of a life whose scorched-earth physical and psycho-emotional dimensions no one could have invented - they absolutely had to be lived. By all rights, the author should either be dead or chewing his fingers in a bus station. Instead, he may well have written the memoir of an entire generation.

I think it's just too kinda juicy and compelling to imagine people in their private lives, but then half the time people's private lives are just so much more bizarre and Ted Haggard-like than you could ever imagine. It's almost hard to write fiction anymore.

The second time I took acid, I watched myself in the mirror for nine hours. What I realized, when I stared, was that my face looked exactly the same when I cried as when I laughed. After awhile I couldn't tell which I was doing. Relief was just pain inside out.

Half the reason I turned into a writer is you didn't have to show up anywhere. You could work naked.

In my family, misery didn't just love company, it wanted hostages.

It's not like I was an alkie or anything. Alcohol is for cleaning needles