I try to begin working with no preconceived ideas.

I have gradually confused photography and life and as a result of this I believe I am able to work out of myself at an almost precognitive level.

Photography is just light remembering itself.

Of course, in order to make art, the frustration of not working has to be greater than the frustration of working.

I'm really very concerned with helping to create an attitude of freedom and daring toward the craft of photography.

Well, I do think, particularly the way I work, the better images occur when you're moving to the fringes of your own understanding. That's where self-doubt and risk taking are likely to occur. It's when you trust what's happening at a non-intellectual non-conscious level that you can produce work that later resonates, often in a way that you can't articulate a response to.

The goal of the artist is not to resolve life's mysteries, but to deepen them.