Disasters around the world are twice as big as they ever were, and ice is melting where it's not supposed to melt, and everything's changing - the world is changing - and it's all because of global warming, I think.

In New York City there are interesting characters and there are interesting stories. There's a story on every street corner. I love it. I think that's what really attracts me to making films.

My mother lived her life through movies and books - she read everything there was to read. And she read to me every night. I never went to sleep without her reading to me. And she fantasized about the book and she would talk about it, the place, and you would think that after she read the book and after she told you stories about it, that she had actually been there. I learned about story from her, and I learned the value of a great story, and the value of great characters.

The best thing that happened from that situation when I failed was the fact that I failed and I failed because I was trying to do things that I don't like to do. I like to make movies and I like the creative process. I don't really care about the business end of it. It's not my thing. So I was all of sudden totally immersed in the business end of it and dealing with human resources, lawyers, and accountants, and so on. It wasn't for me.

Disasters around the world are twice as big as they ever were, and ice is melting where it's not supposed to melt, and everything's changing - the world is changing - and it's all because of global warming, I think.

As my life went on and I met Frank Sinatra and people like that, and I watched live performers on stage, I learned how to tell a story. Because if you listen to Sinatra, all of his songs are stories; there's a beginning, middle, and end. So that's where it comes from.

I'm a good party guest...the problem is, I feel like I'm working all the time. "Give us an Elvis Presley story! Give us a Frank Sinatra story!"