There are a lot of male directors who are directing female-driven pieces. I think that its good to get the girl's point of view and they should write stuff that they know.

I never think of myself as different from anyone else.

It was shocking to see a leg! You've never seen a leg in these stories. We made it a little saloon girl. We played up on many elements because everything is just very covered and the tights are very thick and heavy. And then to have it all fell apart, absolutely, we wanted to see the leg!

When you are nice to people, they bring their A-game.

Editing was hard for me. It was hard to be in a room by yourself and not have that collaborative spirit. Comedies are really tight and timing is everything.

It got hard to juggle the funny on set and then even harder in post-production.

I don't have to do much. What I was surprised at and the challenge was that dealing with an ensemble cast who are in scenes together everyday all day, that is a challenge. It's a challenge to make sure everyone get as much coverage and attention, it got just kind of competitive. I loved it because it made it funnier, but the improv went nuts. People were like, "Oh wait. I have something better to say." "Now, I'm going to say..."