I was just ready to make a movie for the girls. It was just really fun to write for a girl. It was really indulgent and sweet. The whole movie feels indulgent, doesn't it? It's such a romp in England.

The costume designer, her name is Anne Hardinge. She's done "Shaun of the Dead" and "Hot Fuzz." She's really comedic costume designer, which was right up my alley. She was a joy to work with. She was like fabulous Geena Davis. She was just floating with her red lip and kind of fabulous.

It was shocking to see a leg! You've never seen a leg in these stories. We made it a little saloon girl. We played up on many elements because everything is just very covered and the tights are very thick and heavy. And then to have it all fell apart, absolutely, we wanted to see the leg!

I can't handle my own voice, even hearing it echoing on a cell phone. It's horrible.

I don't have to do much. What I was surprised at and the challenge was that dealing with an ensemble cast who are in scenes together everyday all day, that is a challenge. It's a challenge to make sure everyone get as much coverage and attention, it got just kind of competitive. I loved it because it made it funnier, but the improv went nuts. People were like, "Oh wait. I have something better to say." "Now, I'm going to say..."

Editing was hard for me. It was hard to be in a room by yourself and not have that collaborative spirit. Comedies are really tight and timing is everything.

I never think that being a woman is so hard. Maybe don't think about your gender and be confident as you go forward rather than try to single yourself out as some underserved part of filmmaking.