I feel like so much of what happened in the Delta over the decades since slavery was abolished seems much closer in the Delta, and maybe that's because sharecropping was a fairly recent phenomena. I feel like the past is closer and it bears even more heavily on the present there than it does in the rest of the state.

I'm not saying I have to write a book that's ten times better than my counterparts, but I do think that I have to concentrate my efforts on writing something that will really engage people's humanity and will tie readers to my characters regardless of race. I have to prove that I can connect with a wider audience.

I want each character to be as unique as possible. I want them to reflect something of who they are in the way that they move and in how their bodies work. That was foremost in my head when I was writing Salvage: I wanted every gesture, every little movement, to really carry meaning and communicate meaning to the reader. I was very conscious of that when I was writing.

When you have a family, even though you might move a lot, you collect all of these things. It's the detritus of your family and they become the symbols of your family life, and your unit out in the world. In that moment I wanted to allude to the fact that the way my parents' relationship was falling apart was impacting me and my brother, my parents, but also our symbols.

I have never written a novel that volleys back and forth between a couple of different first person perspectives. It's definitely a challenge because I had to think about who knows what, when do they know it, when are they sharing what they know or what they think they know, how the reader's perspective affects things. Telling the story in that way is challenging. It does require a lot of revision.

I wrote poetry in middle school and high school and even through college. It was bad. I just don't think I'm very good at writing poetry. I mean, the distillation, I think, is hard for me, but I love poetry.

I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.