We signed with Roadrunner because, they almost signed us in '97 or something, and we've been wanting to work with Monty Connor, the guy who signed us, for a long time because he's been a huge fan of us since, I mean, in high school, when I was in high school and he was following our band.

It was very necessary I think 'cause you know, when the band's over, or at least in our heads, for a year it makes you really realize how lucky you are to be doing this and why piss in the well?

Island Records used what we built and tried to cash in on it which is so annoying. So it came time to do Carver City record and Island wanted to do it and we're just like "What's the point?" I mean, at that point they were even admitting like, "Yeah, we're just gonna do what we've always done."

We put out a live thing, it seemed more like a bootleg though but, it would be nice to see like a concert filmed with like good cameras you know, instead of just DV cams.

We were on Island Records for five or six years and we kinda just got tired of them always wanting to use our connections, all the time. It's like, they didn't really do much for us, I mean, they would give us money here and there and you know, do stuff like that but, I mean, overall, they didn't push us.

We always need to have someone help with videos, I think all of our DVDs could've been better but our music video, I love all the music videos, but the actual behind-the-scenes and stuff of our music video DVD, it was rushed and didn't turn out great.

We've done every record on our own. Its produced by our guitar player and sometimes we'll have some help mixin' it and have some outside engineers but for the most part, it's done by the band and I think that's the reason why CKY sounds like no other band, 'cause we make our own albums.