There's an enormous difference between normative white masculinity and normative black masculinity.

Hong Kong has been the place where the memory of Tiananmen Square lives on; Hong Kong people have become more and more committed in their resistance to authoritarian government, and also, not surprisingly, committed to safeguarding their culture and heritage as something distinct and worth preserving.

It's only when an American steps outside of their own culture that you see how integral it is.

My parents didn't really restrict my movement, so I got involved in the underground music scene and the activism scene; I was doing some volunteering in food relief. I spent a lot of time throughout the city in poor areas, even though my family lived in a wealthy area.

Prajna is insight into the world. And a lot of that insight has to do with karma and the way karma affects our lives.

Most Americans have a sense of what the blues is. But in Hong Kong, they have no sense of the blues.

I was relatively isolated from people of color. My parents are too old to be Baby Boomers; they had me later in life. So we didn't listen to any black music at all in the house, not even Ben E. King.