Because I'm a novelist, I think in terms of structure. The way I keep going is through structure. It's what inspires me and pushes me through.

Then she smiled, and in that instant, if such a thing were possible, Pasquale fell in love, and he would remain in love for the rest of his life--not so much with the woman, whom he didn't even know, but with the moment.

I think suspense should be like any other color on a writers palette. I suppose Im in the minority but I think its crazy for literary fiction to divorce itself from stories that are suspenseful, and assign anything with cops or spies or criminals to some genre ghetto.

Who isn't crazy sometimes? Who hasn't driven around a block hoping a certain person will come out; who hasn't haunted a certain coffee shop, or stared obsessively at an old picture; who hasn't toiled over every word in a letter, taken four hours to write a two-sentence email, watched the phone praying it will ring; who doesn't lay awake at night sick with the image of her sleeping with someone else?

And if a moment exists only in one's perception anyway, then perhaps the rush of feeling he has now is THE MOMENT, and not merely its shadow.

I'm certainly eclectic in my writing.

I think most Hollywood meetings are silly and I truly despise pitching. It's insane to expect someone to come in and tell you the story before they've written it, and buying an idea from someone who can explain it rather than write it is like choosing a mechanic based on his ability to draw a picture of your car's problem.