I quickly decided my zombies weren't really zombies. It was instead something you called people who were on this club drug, who then exhibited aggressive behaviors. And then like everyone who writes about zombies, I found it was so much fun.

I wrote short stories for seven years and used to mail them out. You couldn't send them by e-mail. I called them manila boomerangs. I'd seal the self-addressed stamped envelope inside an envelope and I'd mail it off, and it would come back six weeks later with a rejection letter in it.

And even if they don't find what they're looking for, isn't it enough to be out walking together in the sunlight?

I realized the structure in a collection is how they're put together. Structuring the collection became the art of it for me. Because the stories had all been written.

I think so, too. I know I felt that way. For years. It was as if I was a character in a movie and the real action was about to start at any minute. But I think some people wait forever, and only at the end of their lives do they realize that their life has happened while they were waiting for it to start.

I think suspense should be like any other color on a writers palette. I suppose Im in the minority but I think its crazy for literary fiction to divorce itself from stories that are suspenseful, and assign anything with cops or spies or criminals to some genre ghetto.

If you come from money and you become an addict, you go to the Betty Ford Clinic, you get treatment. If you're living on the street and you're an addict, it's much harder to find your way out.