Actually, acting in bumper cars is terrible, because the really only way to film it and get a close up is to literally mount the camera - this heavy thing on the car and it's just the worst because you can't act at all with a thing on the car.

I think it's my nature to - every time I hear about an award or a nomination, it makes me realize how much I must've been losing before, because I was not aware that every major city had these critics' awards.

I think there are probably a lot of actors like me who I think probably struggle to feel comfortable in their own lives, and acting in some ways provides a safe context for them to live out emotions that they possibly repress or live out experiences that they are not afforded by virtue of circumstance.

Actually, acting in bumper cars is terrible, because the really only way to film it and get a close up is to literally mount the camera - this heavy thing on the car and it's just the worst because you can't act at all with a thing on the car.

I had great difficulty in school interacting with others, and I took refuge in the contrived setting of play acting, which is what I still do.

When you take on a role, even if the character is somebody that you are dissimilar to, you have to identify with the role and look for an emotional connection even if there is not a biographical one.

I guess the more serious you play something, if the context is funny, then it will be funny and it doesn't really require you to be necessarily, explicitly humorous, or silly.