It's a very strange experience to watch yourself in a movie anyway. I most frequently don't do it, but if I was going to do it, I would do it in a private way, not at a public screening at a film festival, which is just an overwhelming experience.

I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.

I tend to prefer the smaller movies because they shoot more efficiently and so you're are able to maintain that momentum of the character a little more easily.

I don't attribute an actor's great success to their own individual performance when it's something as collaborative as a movie.

Actually, acting in bumper cars is terrible, because the really only way to film it and get a close up is to literally mount the camera - this heavy thing on the car and it's just the worst because you can't act at all with a thing on the car.

Im not on Page Six, because I dont have anything salacious happening in my life unfortunately.

The happiest moments for me, creatively, are doing readings of a play around a table where there's no audience.