If you're afraid of everything out there, you quit going out there.

When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.

And I'm sure after Facebook it will be the little cameras that we have implanted into the palms of our hands and we'll be debating whether we should get them, and then we'll all get them.

I grew up in a secular suburban Jewish household where we only observed the religion on very specific times like a funeral or a Bar Mitzvah.

I live in New York City, where, if you're in a movie at a popular independent theater, you think you're king of the world, because you're in a bubble. So there's no way for me to properly conceive of the attention that the movie gets in a way that doesn't make me confused.

I don't concern myself with thinking ahead to the finished product. I focus more specifically on what the character is experiencing. Once you relieve yourself of the very arbitrary and always punishing pressure of what an audience is expecting you to do, acting becomes a lot more fun and pure.

I see writing and acting as different parts of the same continuum. Writing is better for intense emotion. If you're very angry about something, you shouldn't present it as strongly when you're acting. But if you're really angry and writing about it, that's the best way to get it out and across.