The only suggestions I get on my plays is to make them more of what they already are, and that's wonderful.

I can't watch myself in interviews. I feel like I look like a wreck. My mom is always calling me and going, 'Stop fidgeting,' and it's like, 'You have no idea what it's like, Mom.'

I tend to prefer the smaller movies because they shoot more efficiently and so you're are able to maintain that momentum of the character a little more easily.

I think it's a room full of insecure actors, which is ultimately very comforting.

The only way to be turned off to being famous is to be famous. And I only have like a tiny, tiny bit of that, and I'm already disgusted by it. But I realize that the only way to be disgusted by fame is to be famous, because otherwise it looks amazing. Then people stop you on the street, and it's like the most annoying thing in the world. The first time it happened it's great, and then the second time you have to shake somebody's hand.

When you're acting in a movie, you never consider the reception of it. It's impossible to predict how something will be received. Even if you think it's the greatest thing in the world, other people might not like it. Or agree with it.

As an actor, you have to be open to doing things where you look stupid, to be experimental.