I don’t mind if the character is a small character, but I would just like her to have a journey in the film. Sometimes the characters are just there as a prop to further the man’s story. The great directors I’ve talked to, I’ve said listen, I don’t mind playing a woman that is a tiny part, but how does the story affect her? What can I play in the end that’s different from the beginning? Otherwise, it doesn’t make sense, because it’s just like being a prop.

I remember being a teenager and having a boyfriend - this guy I thought I was way better than, and completely out of his league. He was a year younger than me. And he broke up with me. It was so shocking, and I couldn't believe it.

I think both nature and grace live within everyone, and I always strive to be in a world of grace and compassion.

I didn't understand how much senators and members of the House are not able to represent the people because they're too busy fundraising to maintain their seat in office. I hope we as a country start looking at how we can change that.

I don't want to be in my car all day. I love getting up in the morning in Venice and walking my dogs down to the café to get my tea, and then perhaps going to a bookstore and sitting and reading, then walking to the beach.

The most important thing in my life, and the thing I try to focus on, is to try not to live a life of cruelty. That means trying to make sure I look people in the eye when I meet them. Sometimes you jump in a taxi, or maybe you only have two minutes with someone, and you never see them again. I try to always look them in the eye and have a real experience of what it is to communicate with someone.

I find that the monsters are usually the people that I have the most empathy for because they're the ones that are hurt the most. There's a reason why they're the monsters.