I don’t mind if the character is a small character, but I would just like her to have a journey in the film. Sometimes the characters are just there as a prop to further the man’s story. The great directors I’ve talked to, I’ve said listen, I don’t mind playing a woman that is a tiny part, but how does the story affect her? What can I play in the end that’s different from the beginning? Otherwise, it doesn’t make sense, because it’s just like being a prop.

I have a feeling that very soon I'm going to fail very, very big. I'm going to try something and everybody's going to be like, 'What was she thinking?

I'm going to ask what is correct, what I deserve, especially in relation to male actors.

No matter what, I'm going to ask for more.

People were confused by me, and at first I was auditioning a lot for the crazy characters or the victim, someone who'd been attacked. Which is great, because usually those are the best acting roles.

I take great responsibility in any character that I play.

It's easier to do an action scene than a love scene. I love fighting. When the camera's not rolling, I'll usually punch some of the actors, just for fun.