It's not just NYU. There are days when I feel like I'm stranded in some upscale mall in Pasadena. Don't even get me started on the insidious transformation of Bleecker Street!

But I think there's a genuine joy, too, a sense that no matter what, even if my stomach's growling, I'm going to dance. That's what I want to leave people with at the end of the play. After all this, people still know how to live.

Music is very influential to my writing, as are theater and film.

We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.

I'm an underdog person, so I align myself with those who seem to be not considered valuable in polite society.

I don't know what issues concerning identity have helped contemporary fiction evolve to what it is now. All I know is that the range of voices that are being heard and published is a lot more diverse than when I was coming up.

Writers and scholars have emerged in recent times (some familiar, some new) to continue to challenge the notion of a literature that encompasses the world - and reaffirms our existence in it. It is a multicultural vision that embraces and includes our shrinking universe; it is a multicultural vision that the white man fears and a vision that the rest of us can celebrate.