Sometimes the odds are against you-the director doesn't know what the hell he's doing, or something falls apart in the production, or you're working with an actor who's just unbearable.

I've worked with some teachers and coaches over the years, but I didn't really study theater or technique or voice or any of that stuff extensively.

To work on the actual location I think is great. This thing of going to Canada and pretending you're in New York, it's terrible.

I like to work in costumes, makeup, and hair that allow me tremendous freedom.

If Ive got a clean pair of jeans and a T-shirt, thats usually a good day for me.

Sometimes the odds are against you-the director doesn't know what the hell he's doing, or something falls apart in the production, or you're working with an actor who's just unbearable.

To work with a director that has emotional commitment and passion toward the characters, and the piece, and the experiences, it only enriches your work.