There's something magical still about it when I get in a darkroom, and you've shot a roll of film and you develop it and you look at your negatives, and there's like imagery there. That always stuns me.

The thing with psychoanalysis is I know basically what happened in my childhood. I know where things went wrong and I know what my mother said at one point and what my father said at one point.

Be present. I would encourage you with all my heart just to be present. Be present and open to the moment that is unfolding before you. Because, ultimately, your life is made up of moments. So don't miss them by being lost in the past or anticipating the future.

I had a big family - two older sisters and a younger brother. My family was like moving around a lot so I lived in a lot of small towns. My father was very restless.

To work on the actual location I think is great. This thing of going to Canada and pretending you're in New York, it's terrible.

I never shot on sets, but if I was traveling somewhere or on location, I would always have my camera, and I'd always be - it's that kind of fly on the wall approach to photography, though. I don't engage the subject. I like to sneak around, skulk about in the dark.

Once I started on 'Frances' I discovered it was literally a bottomless well. It devastated me to maintain that for eighteen weeks, to be immersed in this state of rage for twelve to eighteen hours a day. It spilled all over, into other areas of my life.