Families survive, one way or another. You have a tie, a connection that exists long after death, through many lifetimes.

I regret those times when I've chosen the dark side. I've wasted enough time not being happy.

I've got nothing left to lose at this point. The work I've done is out there.

To work with a director that has emotional commitment and passion toward the characters, and the piece, and the experiences, it only enriches your work.

This idea of selfishness as a virtue, as opposed to generosity: That, to me, is unnatural.

I like to work in costumes, makeup, and hair that allow me tremendous freedom.

Sometimes the odds are against you-the director doesn't know what the hell he's doing, or something falls apart in the production, or you're working with an actor who's just unbearable.