I know I certainly wouldn't be writing books if it hadn't been for the feminist blogosphere, and I think that's a really amazing thing. And just the sheer power of outreach I think is incredible. It used to be that if someone was to get involved in feminism, it was probably because they were already interested. They were already interested in feminism; they were already interested in being an activist, and they found their way to like a NOW meeting or to a consciousness-raising group or something like that.

I think the biggest hurdle American feminists have in terms of taking a more global approach is that too often when you hear American feminists talk about international feminism or women in other countries, it kind of goes along with this condescending point of view like we have to save the women of such-and-such country; we have to help them.

Yes, the more successful you are—or the stronger, the more opinionated—the less you will be generally liked. All of a sudden people will think you’re too braggy, too loud, too something. But the trade-off is undoubtedly worth it. Power and authenticity are worth it.

I think the idea that feminism is dead is dangerous because it leads women and men to believe that (1) they don't have to do anything; the work has been done, and that everything is okay now; and (2) it leaves them kind of alone, I think, in a struggle, and that's something I've seen a lot when I go to colleges and I speak to young women.

My informal writing style is a political choice, because I want feminism to be more accessible.

You're not too fat. You're not too loud. You're not too smart. You're not unladylike. There is nothing wrong with you.

I certainly wouldn't be writing books if it hadn't been for the feminist blogosphere, and I think that's a really amazing thing.