I remember being on Hawaii when I sailed to Hawaii. It felt unsettling to be walking around there because I was thinking, "This place could just sink at any second." In actuality, it totally can. But it really felt like, I am this teeny, tiny speck out in the middle of all that water, I feel so unprotected right now. It almost felt creepier than being on a boat, which is an even smaller speck out in the middle of nowhere. But I felt like I had some control over that situation.

Being raised on a boat felt like it was totally normal to me. I was just another kid hanging out, doing this and that. My girlfriend and I had a funny period of time where I was always wanting to hug her all the time. I looked at my brother and he's the same way. It wasn't that our family was necessarily more affectionate than others. It was that we were basically sitting on top of each other, or side by side squished in together all the time. Because the boat was that small. It became part of our nature to be close to people.

I can start playing ukulele and then I'll go to a note that I think will be there, but because of the tuning, it's a completely different note. That excites me. That's why I had the ukulele around in the first place, years ago. It was to just break out of habits.

I remember being on Hawaii when I sailed to Hawaii. It felt unsettling to be walking around there because I was thinking, "This place could just sink at any second." In actuality, it totally can. But it really felt like, I am this teeny, tiny speck out in the middle of all that water, I feel so unprotected right now. It almost felt creepier than being on a boat, which is an even smaller speck out in the middle of nowhere. But I felt like I had some control over that situation.

Usually when you're playing with other people in not such a reverberant room, you have to be quick on your feet and think about stuff really quickly. But inside the cistern, it was almost like I was at home on my computer arranging and taking time thinking about the next step, the next note. Instead, the room was my collaborator. I could hear the note and sit there and think. I could be arranging as I was going in real time, which was fascinating.

It's kind of like being a writer in the sense that you always hear other writers say, 'Well, the best way to start writing is to just start writing.' The same goes for improvisation. You want to start improvising, just start playing notes. And the more you do that, the more comfortable - or not comfortable - but I guess how you're able to adapt to situations. You become more familiar with your instrument. As soon as you have a musical thought, you can go ahead and add to that musical thought and know your way around.

I guess travelling that kind of long distance and travelling at such a slow pace, it wasn't something that I was thinking about when I was inside of the cistern, but when I started hearing the music played back to me for the first time by an ensemble, it totally brought me back, immediately, to memories of sailing. And it really became apparent that this was some sort of a through line in my life that I was excited to explore more.