There are multiple shows of record about a late-transitioning patriarch and how the kids are affected, and there are multiple narratives. That narrative on "Keeping up with the Kardashians," the answer is, they're pretty much fine. It's the same sort of story we were telling which is, you know what? Everybody's okay.

In my own work I am invested in art as a way to break through impasses, whether those impasses are personal, social, or political.

So much of the United State's political relationship with Israel is based on culture. Israel is the only Westernized culture in the region and the Middle Eastern countries bordering Israel are Arab, which is a totally different society. Even though Israel doesn't exactly feel like the United States, by comparison to its neighbors it's very Western.

You have to totally change the way that society's structured in order to being to heal.

One of the things that feels so challenging is how questioning Israel and the idea of a Jewish state somehow opens the door for other sorts of questions - and wounds.

When I write, I lose time. I'm happy in a way that I have a hard time finding in real life. The intimacy between my brain and my fingers and my computer... Yet knowing that that intimacy will find an audience... It's very satisfying. It's like having the safety of being alone with the ego reward of being known.

I want women to be the subject, not the object.