I love to feel that I'm not above anyone.

We created this journey [in the Begin], sonically, that people can really wrap their heads around and live with and get to know us a little bit more. The dark colors, the light colors, our up-tempos, and our down-dreamy stuff.

I'm always looking for people to feel connected to me and inspired in their own right.

Now, it's so sacred. It's how I see the world. I can't help but look at people, their physicality, and how they move. It's how I see everything.

As we're growing and stuff, it's been amazing to feel so embraced and have them be so excited. I definitely leaned into my dad a little more starting out because once we actually started to get those people knocking on our doors and emailing.

Even growing up, if I dealt with any pressure to be a certain way, I knew that as an artistic lane, dancing was the one that was a little more freed up - like no one in my family is really doing that, I can be that person.

It's definitely evolved from where it started - for 'Treat Me Like Fire,' I wanted something extremely wild because I was going to be running through the woods and I wanted it really nappy and crazy.