I saw myself traveling with a company or making my own work and being a little weird. I wasn't thinking about the business side of anything, I just knew that I loved dancing.

I tend to write about love because I'm always thinking about it. I think a lot though and struggle with overanalyzing. Way over. That's the thing, I feel like I do that a lot and then finally when I stop thinking, that's when it happens.

Like Lucas [Goodman] has said, between the people we've met, and the experiences we've had, it's just our growth. It's just something that represents all of what Lion Babe started as and where we're going.

We had spent a lot of time in London [with Lucas Goodman], which has been amazing, but also it was kind of a homecoming and we felt so surrounded by a specific community of people who are just so New York, so unapologetically themselves and so creative.

I quit piano and violin because it felt too rigid. It was just my thing, something I fell in love with from a very early age.

I was shaped in college into a performance artist. I never really thought of myself as being one singular thing. I think of myself as an artist and I feel no restrictions when it comes to how I want to portray what I want to portray.

My mom is one, but there have been performers in my family since as long as we can trace them back, so I think it was kind of inevitable to be artistic and to have a force. We're leaders; we're a family of leaders, so I think it's just part of my genes.